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・ Madan Lal Dhingra
・ Madan Lal Khurana
・ Madan Lal Madhu
・ Madan Lal Mehta
・ Madan Lal Pahwa
・ Madan Lal Sharma
・ Madan Lal Vaid
・ Madan Lokur
・ Madan M. Rehani
・ Madan Madhukarrao Yerawar
・ Madan Mahal railway station
・ Madan Mahal, Jabalpur
・ Madan Mani Dixit
・ Madan Mitra
・ Madan Mohan
Madan Mohan (composer)
・ Madan Mohan (disambiguation)
・ Madan Mohan (Scouting)
・ Madan Mohan College
・ Madan Mohan Lakhera
・ Madan Mohan Malaviya
・ Madan Mohan Malaviya University of Technology
・ Madan Mohan Malviya Stadium
・ Madan Mohan Mishra
・ Madan Mohan Mittal
・ Madan Mohan Punchhi
・ Madan Mohan Tarkalankar
・ Madan Mohan Temple
・ Madan Namak, Khuzestan
・ Madan Prasad Jaiswal


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Madan Mohan (composer) : ウィキペディア英語版
Madan Mohan (composer)


Madan Mohan Kohli (25 June 1924 – 14 July 1975), better known as Madan Mohan, was an Indian music director of the 1950s, 1960s, and 1970s. He is particularly remembered for the ghazals he composed for the film industry. He often worked with Lata Mangeshkar, Talat Mahmood and Mohammed Rafi.
==Background==

Born on 25 June 1924, at Erbil, Iraqi Kurdistan, where his father Rai Bahadur Chunilal was working as an Accountant General with the Kurdistan Peshmerga forces, Madan Mohan spent the first five years of his life in the Middle East.
After 1932, the family returned to Chunnilal's home town of Chakwal, then in Jhelum district of Punjab, British India. They were left in the care of a grandparent while Chunnilal went to Mumbai to seek business opportunities. He subsequently became a partner in the Bombay Talkies studio and then in the Filmistan studio.〔Gulzar, p. 593
Madan Mohan attended school there for the next six years. It is said that he inherited his talent for music from his mother, who was a poet and great admirer of music. His father was not very musically inclined, but grandfather Hakim Yograj and his younger brother, Prakash were staunch connoisseurs. They used to discuss the subtleties of music in Madan's presence.
Later, Madan's father shifted the whole family to Mumbai and Madan became acquainted with some children of film personalities. These 'children' were Raj Kapoor, Nargis and Suraiya.
At the behest of his father, he attended the Colonel Brown Cambridge School and joined the army and received his first commission (emergency) in 1943. Personal traits like courtesy, endurance, discipline, physical fitness and punctuality were all fostered in him during those years. Though as history would have it, he quit the armed forces and turned to his first love—music. He joined All India Radio in Lucknow, where he brushed shoulders with such ghazal and classical luminaries as Ustad Faiyyaz Khan, Ustad Ali Akbar Khan, Begum Akhtar, and Talat Mahmood. He picked up their influences and carried them with him to Mumbai when he entered the Hindi Film industry. Not many know that he aspired to becoming an actor but ended up directing music.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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